Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Frolova-Walker, Marina: Forward to Communism, Back to Bach: How Socialist Realist was Shostakovich's First Symphony. [p]AMS_Washington (Oct 2005) | |
| 2. | Matthew-Walker, Robert: Apollo's Mass in B Minor. MOpinion 123/1421 (Spring 2000) | |
| 3. | Matthew-Walker, Robert: Bach-Paganini Violin Festival. MOpinion 131/1460 (Sep-Oct 2007) | |
| 4. | Matthew-Walker, Robert: B minor Mass at St Martin's. MOpinion 126/1436 (Sep-Oct 2003) | |
| 5. | Robson, R. Walker: An Intruded Fortissimo in Bach. MTimes 77/1118 (Apr 1936), 349 | |
| 6. | Walker, Daniel Pickering: Studies in Musical Science in the Late Renaissance. (1978), 174p | |
| 7. | Walker, Diane Parr; Walker, Paul: German Sacred Polyphonic Vocal Music between Schütz and Bach: Sources and Critical Editions. (1992), xxxv, 434p | |
| 8. | Walker, Diane Parr; Walker, Paul: Sources of German Polyphonic Vocal Music Between Schütz and Bach: A Report on Work in Progress. [p]AMS_Capital (Apr 1986) | |
| 9. | Walker, Ernest: An Oxford Collection of Mendelssohniana. MLetters 19/4 (Oct 1938), 426-428 | |
| 10. | Walker, Ernest (arr.): 'Gedenk' an uns mit deiner Liebe.' ('O think on us with Thy compassion.') From the Cantata 'Wir danken dir, Gott.' (Composed for the election of the Leipzig Town Council in 1731.) / J. S. Bach. SelectedArias(Walker) 2 (1901), 5p | |
| 11. | Walker, Ernest (arr.): 'Gottes Engel weichen nie.' ('God's own angels never go.') From the Cantata 'Man singet mit Freuden vom Sieg.' / J. S. Bach. SelectedArias(Walker) 7 (1901), 10p | |
| 12. | Walker, Ernest (arr.): 'Ich esse mit Freuden mein weniges Brot.' ('I eat with gladness my scanty bread.') From the Cantata 'Ich bin vergnügt.' / J. S. Bach. SelectedArias(Walker) 6 (1901), 12p | |
| 13. | Walker, Ernest (arr.): 'Ich wünschte mir den Tod.' ('I should have wished for death.') From the Cantata 'Selig ist der Mann,' a dialogue between 'Jesus' and 'Die Seele.' / J. S. Bach. SelectedArias(Walker) 4 (1901), 8p | |
| 14. | Walker, Ernest (arr.): 'Jesus soll mein erstes Wort.' ('Jesus my first word shall be.') From the Cantata 'Gott, wie dein Name, so ist auch dein Ruhm.' / J. S. Bach. SelectedArias(Walker) 9 (1901) | |
| 15. | Walker, Ernest: John Christian Bach.† MonMRec 59/711 (1 Mar 1929), 74-75 | |
| 16. | Walker, Ernest (arr.): 'Liebster Jesu, mein Verlangen.' ('Dearest Saviour, whom I long for.') From the Cantata of the same title. / J. S. Bach. SelectedArias(Walker) 3 (1901), 7p | |
| 17. | Walker, Ernest: Mass in B minor composed by J. S. Bach. (1908), 18p | |
| 18. | Walker, Ernest (arr.): 'Mein Jesus will es thun.' ('This will my Saviour do.') From the Cantata 'Alles nur nach Gottes Willen.' / J. S. Bach. SelectedArias(Walker) 5 (1901), 8p | |
| 19. | Walker, Ernest (arr.): 'Mein Seelenschatz ist Gottes Wort' ('My soul's delight is God's own Word.') From the Cantata: 'Gleich wie der Regen.' / J. S. Bach. SelectedArias(Walker) 1 (1901), 6p | |
| 20. | Walker, Ernest (arr.): 'Ruhet hie, matte Töne.' ('Now be still, languid music.') From the Wedding Cantata for Soprano: 'O holder Tag, erwünschte Zeit.' / J. S. Bach. SelectedArias(Walker) 10 (1901), 10p | |
| 21. | Walker, Ernest: Rutland Boughton's 'Bach'. MonMRec 60/719 (1 Nov 1930), 323-324 | |
| 22. | Walker, Ernest (arr.): Selected Arias / J. S. Bach SelectedArias(Walker) (1901), 67p | |
| 23. | Walker, Ernest (arr.): 'Stein, der über alle Schätze' ('Stone, above all others precious.') From the Cantata 'Tritt auf die Glaubensbahn.' / J. S. Bach. SelectedArias(Walker) 8 (1901) | |
| 24. | Walker, Ernest: The Associated Board's edition of Bach's 'Forty-eight' MLetters 12/4 (Oct 1931), 378-383 | |
| 25. | Walker, Ernest: Tovey and 'The Art of Fugue.' MonMRec 61/732 (1 Dec 1931), 347-348 | |
| 26. | Walker, Francis Geoffrey (arr.): Fugue in E major from the '48' / J. S. Bach HinrichsenEd 1c (1957), 5p | |
| 27. | Walker, Francis Geoffrey (arr.): Pastoral symphony from Christmas oratorio / J. S. Bach CramersLibOrgM 50 (1953), 11p | |
| 28. | Walker, Francis Geoffrey (arr.): Prelude and fugue on B-A-C-H / J.S. Bach. CramersLibOrgM 56 (1954), 15p | |
| 29. | Walker, Frank: A Little Bach Discovery. MLetters 31/2 (Apr 1950), 184 | |
| 30. | Walker, Luise (arr.): Ausgewählte Stücke für Gitarre / Johann Sebast. Bach. (1973), 16p | |
| 31. | Walker, Paul: American Bach Society Biennial Conference 7-10 April 2016 University of Notre Dame. BachNotesABS 23 (Fall 2015), 6 | |
| 32. | Walker, Paul: Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. [cr]Belfast2007 2 (2007), 368-386 | |
| 33. | Walker, Paul: Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. [p]ABS_Leipzig (May 2006) | |
| 34. | Walker, Paul (ed.): Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany. [ce]ChurchStageStudio (1990), 396p | |
| 35. | Walker, Paul: Counterpoint, Canons and the Late Works. [ce]RoutledgeResearchCompanion (2017), 377-397 | |
| 36. | Walker, Paul: Die Entstehung der Permutationsfuge. BachJb 75 (1989), 21-41 | |
| 37. | Walker, Paul: Die Fuge in den Vokalwerken von Buxtehude und Bruhns. [p]ISK_Luebeck (Apr 2000) | |
| 38. | Walker, Paul: Die Fuge in den Vokalwerken von Dieterich Buxtehude und Nicolaus Bruhns. [cr]Lübeck2000 (2002), 256-271 | |
| 39. | Walker, Paul: Fingering, Bach and the Wegweiser. EarlyKStudNL 1/3 (1985), 1-5 | |
| 40. | Walker, Paul: From Renaissance Fuga to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. [p]AMS_Vancouver (Nov 1985) | |
| 41. | Walker, Paul: From Renaissance 'Fuga' to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. SchützJb 7-8 (1985-86), 93-104 | |
| 42. | Walker, Paul: Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. BachPerspectives 4 (1999), 159-179 | |
| 43. | Walker, Paul: Miscellanea: Sacred Works for Five and/or Six Voices and Instruments, Occasional Works, Canons, Dubia / Dieterich Buxtehude. BuxtehudeCW 13 (2018) | |
| 44. | Walker, Paul: Rhetoric, the ricercar, and J. S. Bach's Musical Offering. BachStud 2 (1995), 175-191 | |
| 45. | Walker, Paul (ed.): Sacred Works for Five Voices and Instruments, Part 3 / Dieterich Buxtehude. BuxtehudeCW 12 (2018) | |
| 46. | Walker, Paul: The origin of the permutation fugue. StudHistM(NY) 3 (1993), 51-91 | |
| 47. | Walker, Paul: Zur Geschichte des Kontrasubjekts und zu seinem Gebrauch in den frühesten Klavier- und Orgelfugen Johann Sebastian Bachs. [cr]Rostock1990 (1995), 48-69 | |
| 48. | Walker, Paul Mark: Fugue in German Theory from Dressler to Mattheson. diss. (1987), x, 664p | |
| 49. | Walker, Paul Mark: Theories of Fugue from the Age of Josquin to the Age of Bach. EastmanStudM 13 (2000), 485p | |
| 50. | Walker, W. Seymour (ed.): JIG FUGUE in G major / J. S. Bach. (1936), 6p | |