Bach Bibliography
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Year : 2012
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Bertoglio, Chiara:   Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. diss. (2012), 466p. PhD diss., University of Birmingham. 2012. 466p.
2. Bishop, Kirsten Elise:   Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols. diss. (2012), 42p. MPhil thesis, The University of Queensland, 2012. 42p.
3. Bloss, Laura:   Natural Trumpet Music and the Modern Performer. diss. (2012), vii, 74p. MMus diss., The University of Akron, 2012. vii, 74p
4. Costa, Gustavo Silveira:   Seis sonatas e partias para violino solo de J. S. Bach ao violăo: fundamentos para adaptaçăo do ciclo. diss. (2012), 192p. Doctoral Thesis, Escola de Comunicaçőes e Artes, University of Săo Paulo, Săo Paulo, 2012. 192p + score.
5. De Troyer, Nicolas:   'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. diss. (2012) MA diss., Musicologie from Katholieke Universiteit Leuven, 2012.
6. Einarsdóttir, Sigrún Lilja:   J.S. Bach in everyday life: The 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'. diss. (2012), 352p. PhD diss. in Sociology, University of Exeter, 2012. 352p
7. Fazekas, Gergely:   J. S. Bach és a zenei forma két kultúrája. diss. (2012), 221p. [J. S. Bach and two cultures of music] PhD diss., Liszt Academy of Music, Budapest, 2012. 211p.
8. Hsu, Chung-Hui:   The solo string works of JS Bach: The relationship between dance and musical elements. diss. (2012), viii, 67p. DMA diss, Louisiana State University and Agricultural and Mechanical College, 2012. viii, 67p.
9. Kornfeld, Zoltán:   A szvit műfajának megjelenése Bach életművében, a gordonkára írt Hat Szólószvit elemzése (BWV 1007-1012). diss. (2012), 95p. DLA értekezés, Pécsi Tudományegyetem Muvészet i Kar Doktori Iskola, 2012. 95p Latin 2
10. Mace, Abigail Rebecca:   Style and Interpretation in the Seven Keyboard Toccatas of J. S. Bach, BWV 910-916. diss. (2012), xxii, 152p. DMA diss., University of Texas at Austin, 2012. xxii, 152p.
11. McCarthy, Daniel W.:   The influence of French and Italian national musical styles and genres on the music of J. S. Bach: a performance dissertation project. diss. (2012), xi, 26p. DMA diss., University of Maryland, 2012. xi, 26p.
12. Palacios Quiroz, Rafael:   La pronuntiatio musicale: une interprétation rhétorique au service de Händel, Montéclair, C. P. E. Bach et Telemann. diss. (2012), 362,149p. PhD diss., Université Paris 4 Sorbonne, 2012. 362, 149p
13. Roy, Matthew J.:   The genesis of the Soviet prelude set for piano: Shostakovich, Zaderatsky, Zhelobinsky, and Goltz. diss. (2012), xi, 121p. MA diss., Eastern Washington University, 2012. xi, 121p.
14. Son, Se Ra:   Figures of Musica Poetica in the Passacaglias of Dieterich Buxtehude and J. S. Bach. diss. (2012) DMA diss., University of Cincinnati, 2012.
15. Tang, Yue:   Three milestones: An examination of unaccompanied cello compositions by Johann Sebastian Bach, Zoltán Kodály and Gasper Cassadó and their contribution to solo cello repertory. diss. (2012), 52p. MA diss., Performance, Royal Irish Academy of Music/Ceol Acadamh Ríoga na hÉireann, 2012. 52p.

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