Search Result - Ordered Alphabetically
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Bach Bibliography Search Result - Ordered Alphabetically |
Book type : pYour search has generated the following results ...
Year : 2012
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| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Alevizos, Konstantinos: The rhythmic segments in the Cp. iv in the Art of Fugue of Johann Sebastian Bach. [p]BICB_Southampton (Jul 2012) |  |
| | 2. | Arnold, Jochen: Gottes verborgenes und offenbares Handeln - Spuren und Strukturen lutherischer Theologie in Bachs Kantaten. [p]IS_Eisenach (Feb 2012) |  |
| | 3. | Bossert, Christoph: These: Psalm 118, Vers 22 als Mitte des Schaffens von Johann Sebastian Bach. [p]IS_Eisenach (Feb 2012) | |
| | 4. | Browner, Tara: Bach Culture: Performers, Scholars, and Bachfreunde in the Twenty-First Century. [p]AMS_NewOrleans (Nov 2012) | |
| | 5. | Butler, Gregory: The Trost Organ in Altenburg and Bach's Clavierübung III as Manifestations of the Triunophilia of Duke Frederick III of Saxe-Gotha. [p]ABS_Rochester (Sep 2012) | |
| | 6. | Butler, Lynn Edwards: Bach's Report on Johann Scheibe's Organ for Leipzig's St. Paul's Church: A Reassessment. [p]ABS_Rochester (Sep 2012) | |
| | 7. | Cron, Matthew: Representations of Heaven in the Obbligato Organ Cantatas of Johann Sebastian Bach. [p]ABS_Rochester (Sep 2012) | |
| | 8. | Dahlgrün, Corinna; Brödel, Christfried: Unter dem Kreuz. Zur Vergegenwärtigung des Passionsgeschehens durch Wort und Musik. [p]IS_Eisenach (Feb 2012) | |
| | 9. | Dirksen, Pieter: Georg Böhms keyboard music - Defining the corpus. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |
| | 10. | Dirst, Matthew: Continuo Practice in the Bach Passions. [p]ABS_Rochester (Sep 2012) | |
| | 11. | Exner, Ellen: 'Lent by me and never recovered': Lost Homilius Manuscript Found. [p]ABS_Rochester (Sep 2012) | |
| | 12. | Gontar, Christopher: Post-Baroque Classicism and Bach Fugue. [p]BICB_Southampton (Jul 2012) | |
| | 13. | Grapenthin, Ulf: Jan Adam Reincken (1643-1722) - An important 'Lehrmeister' of J. S. Bach. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |
| | 14. | Heller, Wendy: 'Aus eigener Erfahrung redet': Bach, Luther, and Mary's Voice in the Magnificat BWV 243. [p]BICB_Southampton (Jul 2012) | |
| | 15. | Johansen, Lars Henrik: Norwegian 18th Century Church Singing - a source for understanding the performance of J. S. Bach's chorales. [p]BICB_Southampton (Jul 2012) | |
| | 16. | Kovacevic, Tanja; [Kovaèeviæ]: A new source of Bach's Violin Solos from Prague and its implication for the work's reception history. [p]BICB_Southampton (Jul 2012) | Latin 2
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| | 17. | Leaver, Robin A.: The Organist Encounters the Hymnologist: J. S. Bach and J. C. Olearius in Arnstadt. [p]BICB_Southampton (Jul 2012) | |
| | 18. | Leaver, Robin A.: What is the Significance of the Manuscript Choral-Buch Attributed to Bach in the Sibley Library? [p]ABS_Rochester (Sep 2012) | |
| | 19. | Lundberg, Mattias: The musical and liturgical contexts of Bach’s Cantata 10. [p]BICB_Southampton (Jul 2012) | |
| | 20. | Lutterman, John: Jakob Adlung on Fantasieren: Further Evidence of a Bach Family Tradition in Jena. [p]BICB_Southampton (Jul 2012) | |
| | 21. | Maul, Michael: Die 'Cantoreyen' der Thomasschule im 17. und 18. Jahrhundert - neues Licht auf alte Dokumente. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |
| | 22. | Maul, Michael: Johann Mattias Holzhey's Fight for a New Instrument: Newly Discovered Documents about Organ Building, Playing, and Networking of Organists from Bach's Thuringia. [p]ABS_Rochester (Sep 2012) | |
| | 23. | McCormick, Susan: Johann Christian Kittel's newly rediscovered Choralbuch: its significance in our understanding of the chorale tradition. [p]BICB_Southampton (Jul 2012) | |
| | 24. | Medlam, Charles: Approaches to the Bach Violoncello Suites. [p]BICB_Southampton (Jul 2012) | |
| | 25. | Molinaro, Lawrence: Scaffolding instruction on improvisation – training organists within the Bach circle and beyond. [p]BICB_Southampton (Jul 2012) | |
| | 26. | Naulleau, Gaëtan: Dancing an odyssey: Gustav Leonhardt and the complete Bach cantatas. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |
| | 27. | Oleskiewicz, Mary: Keyboards, Bachs, and Berlin: Keyboard Instruments and Members of the Bach Family at the Court of Frederick 'the Great'. [p]ABS_Rochester (Sep 2012) | |
| | 28. | Paczkowski, Szymon: Bach and Chopin. [p]BICB_Southampton (Jul 2012) | |
| | 29. | Petzoldt, Martin: Bachs Interesse an Luthers Schriften und Theologie. [p]IS_Eisenach (Feb 2012) | |
| | 30. | Reef, John S.: The Two F-Major Fugues from The Well-Tempered Clavier: Dance Subjects and Their Phrase-Rhythmic Implications. [p]AMS_NewOrleans (Nov 2012) | |
| | 31. | Rose, Stephen: Georg Böhm as musical go-between: perspectives on his vocal works. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |
| | 32. | Rose, Stephen: The Latin Magnificat in Leipzig before Bach. [p]BICB_Southampton (Jul 2012) | |
| | 33. | Rubinoff, Kailan: Leonhardt in the 1960s: an Antiquarian in a Climate of Change. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |
| | 34. | Schulenberg, David: Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works. [p]ABS_Rochester (Sep 2012) | |
| | 35. | Smaill, Peter: Every Silver Lining has a Cloud: Bach and the share registers of the Ursula Erbstollen mine. [p]BICB_Southampton (Jul 2012) | |
| | 36. | Spehr, Christopher: Wortgewalt und Sprachgestalt. Bach als Interpret Martin Luthers. [p]IS_Eisenach (Feb 2012) | |
| | 37. | Stinson, Russell: Bach and the Varied Stollen. [p]ABS_Rochester (Sep 2012) | |
| | 38. | Stinson, Russell: Bach and the Varied Stollen. [p]BICB_Southampton (Jul 2012) | |
| | 39. | Talle, Andrew: The Daily Life of an Organist in Bach's Germany. [p]AMS_NewOrleans (Nov 2012) | |
| | 40. | Tatlow, Ruth: Narratives of Number in the Neumeister Chorales. [p]BICB_Southampton (Jul 2012) | |
| | 41. | Tomita, Yo: Veiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints. [p]BICB_Southampton (Jul 2012) | |
| | 42. | Wen, Eric: Drawing Parallels: Thirds and Sixths in Bach’s Fugues in B-flat Minor and G Minor from Book 2 of The Well-Tempered Clavier. [p]AMS_NewOrleans (Nov 2012) | |
| | 43. | Williams, Peter: On Bach and the Organ. [p]ABS_Rochester (Sep 2012) | |
| | 44. | Wolff, Christoph: Did J. S. Bach Write Organ Concertos? Apropos the Prehistory of the Cantata Movements with Obbligato Organ. [p]ABS_Rochester (Sep 2012) | |
| | 45. | Wollny, Peter: An Unknown Collection of Organ Dispositions from Bach's Circle. [p]ABS_Rochester (Sep 2012) | |
| | 46. | Wollny, Peter: A Tale of Two Tunes: Reincken's 'Schweiget mir vom Weibernehmen' and J. C. Bach's 'Aria pro dormente Camillo'. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |
| | 47. | Zwart, Frits: Bach at the Concertgebouw: the conductor Willem Mengelberg and early music. [p]STIMU_Amsterdam (31 Aug-2 Sep 2012) | |